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“ It’s probably the most complex movie I’ve ever had anything to do with. “It’s a really complex movie,” says Raimi, who used reshoots earlier in 2022 in part to clarify the story.

Multiverse is essentially a direct sequel to three different Marvel properties: the original Doctor Strange, last year’s Spider-Man: No Way Home, and the Disney+ TV show WandaVision, with Elizabeth Olsen’s Wanda Maximoff on board as the film’s second lead character.

After all, he made the gonzo indie horror classic The Evil Dead at age 20 for a mere $350,000, inventing camera techniques and pioneering new levels of homemade makeup grotesqueries as he went. He’d taken over the project after Scott Derrickson, who directed the first Doctor Strange in 2016, exited the sequel, citing “creative differences” with a script to redo and a shooting deadline already in place, Raimi was behind schedule before he’d even started.īut Raimi seems to relish the chaotic creation of this latest Doctor Strange movie, which hits theaters May 6th. It all fits with a process that also had screenwriter Michael Waldron (who brought a deft comic touch to the Disney+ show Loki ) finishing the screenplay while Raimi was in the process of shooting the movie.

From his home in Los Angeles, the director is working on Doctor Strange in the Multiverse of Madness in three places at once - virtually watching over composer Danny Elfman laying down a score with an orchestra at Abbey Road Studios in London, while also listening in on actors rerecording dialogue, and supervising the movie’s sound mix. For Sam Raimi, the final weeks of making his first superhero movie since he helped kick-start the genre’s modern era with his Spider-Man trilogy are pure multitasking madness.

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